Captured in black-and-white across open fields, forests, and rural landscapes, Edison Peñafiel’s Camposcuro offers surreal and poetic meditations on the ever-present nature of surveillance during our time. The multi-channel video piece follows a singular, anonymous figure whose face is always turned away from the camera; this figure—a woman in a flowing skirt—stands, walks, runs, and rides a bicycle across these sceneries. There are questions that linger in the experience of this piece as to this person’s identity, her relationship to these landscapes, and the reasons why the camera might be following. The camera lingers on this figure despite her slow movements or moments of inaction, and there is an ominous quality to the way in which she is watched, recorded, and captured as an image. The soundscape of this piece reinforces a sense of unease; its languorous tones steadily rise and fall, indicative of impending action that never quite crests or comes to fruition. The solitary figure of Camposcuro retains her anonymity in the face of continuous surveillance, possibly unaware that she is the subject of the camera’s gaze; a commentary, perhaps, about how we all exist within countless images—CCTV feeds, the backgrounds of strangers’ photos, and others—over which we lack control. Camposcuro focuses in on the potentially dark terrains of our highly mediatized society. 

In this presentation of Camposcuro, the piece takes on a totemic form, presented on three, wall-mounted monitors stacked vertically on one wall. The effect is a frontal sensory experience that visually confronts its viewer.