MARE MAGNVM: La llegada (The Arrival) is a striking photographic series that addresses the universal and timely issue of migration. The series features characters wearing papier-mâché masks, each of which covers their faces, making them appear as archetypal representatives of any diasporic population. The characters' identities are obscured, emphasizing the universality of the migrant experience, and each photograph is stamped with a number, evoking the process of being processed by an immigration entity.

The lack of specificity in the characters' appearance is a deliberate choice by the artist to draw attention to the humanity behind migration. The photographs do not depict a specific time or place, but instead, they offer a timeless representation of migration across bodies of water, from the Mediterranean to the Caribbean and beyond.

The title, Mare Magnum, draws on the Latin term for the Mediterranean Sea, which the ancient Romans referred to as the Great Sea. It serves as a reminder of the historical significance of migration, and how it has shaped our world.

Through this series, the artist prompts the viewer to consider the experiences of migrants who undertake perilous journeys in search of a better life. The lack of information about the characters' origin and personal history invites the viewer to project their own experiences onto the photographs, fostering a deeper empathy and understanding of the challenges faced by migrants.

MARE MAGNVM: La llegada (The Arrival) is not only a powerful visual commentary on the current reality of migration, but it also serves as a warning of the challenges that lie ahead. The photographs stamped with numbers evoke the harsh reality of being processed by immigration entities, reminding us of the often-dehumanizing treatment of migrants.